At a prison rock quarry, Roy Koster (Seven Guns for the MacGregors' Robert Woods) gets into an altercation with a guard. Fellow inmate "Sulky" Jeremiah Scott (stage-turned-screen actor Attilio Dottesio) kills the guard with a pickax, and tells Roy he wants him to repay the debt when he gets out of jail. Jeremiah is brutally flogged for the killing, but before dying he says the word "Silvertown" to Roy, and gives him his cufflink. After his sentence ends, Roy rides into Silvertown, a town in Texas. At the saloon owned by Dennis McCorney (spaghetti western icon William Berger, sporting long hair and a mustache), Roy plays cards with three men, who seem alarmed when he produces the cufflink. Roy gives the alcoholic Thomas $10 in exchange for the location of Jeremiah's ranch. Thomas tells Roy the town is under the control of a gang led by a man named Warner, of which Roy's fellow card-players were members. Soon after, Thomas is found hanged with two $5 bills clenched between his teeth. Roy gives the undertaker money for his funeral, then goes out to the ranch, where he meets Jeremiah's grieving widow Martha (Giovanna Mainardi) and her children Grace (Fiorella Mannoia) and Phil (Ursus' Nino Fuscagni), who hold their late father in contempt. Phil is a member of Warner's gang. Warner's henchmen attempt to prevent Thomas' funeral from taking place, saying that he committed suicide and they are "good Christians," but Roy knows it was murder and guns them down. Martha reveals to Roy that Jeremiah was accused of robbery and murder after telling Warner (George Wang) and McCorney about his need for money. The duo, along with McCorney's dishwasher Sam Dayton (W Django!'s Mario Dardanelli) did not corroborate Jeremiah's story, and he was sentenced to ten years in prison. Convinced the man who saved his life was framed, Roy seeks to bring Warner to justice, in his own way...
The 1970s are generally considered a low period for the Spaghetti Western. The genre largely devolved into self-parody, in the wake of Terence Hill and Bud Spencer's Trinity films. Despite this, there were a few last great films of the genre, such as Enzo G. Castellari's Keoma (despite its infamous songs, which I personally find grow on repeated viewings) and Lucio Fulci's underappreciated Four of the Apocalypse. A Colt in the Hand of the Devil isn't on the level of those two films, but it is certainly one of the more watchable '70s SWs. Robert Woods and William Berger were both old hands at the genre at this point, and both turn in good performances, the debonair Berger in particular. (Curiously, although his character is listed on IMDB and the excellent Spaghetti Western Database as Isaac McCorney, he is referred to as "Dennis McCorney" at one point during the trial flashback, and therefore that's the name I'm going with for this review. This is somewhat similar to Berger's character in Lamberto Bava's Devil Fish, whose name initially appears on a sign as Dr. Donald West, but is later called "Walter" by his wife.) Popular singer Fiorella Mannoia as our hero's love interest is attractive and a talented actress. She was also, interestingly, a frequent stand-in for actress Monica Vitti, as well as Candice Bergen in The Hunting Party. There is a scene where Grace is treating Roy with contempt, which causes him to slap her twice, then force a kiss on her, which of course causes her to immediately fall in love with him and return it. Given the current #MeToo movement, this made me cringe a bit. As is often the case in SWs, the law is too incompetent and/or corrupt to stop the gang that runs the town. Thomas provides a few bits of lame drunk comedy relief, but luckily Baldanello has the good sense to kill him off early. One thing I wondered about was the obviously Chinese George Wang playing a bad guy named Warner. Is his character supposed to be completely white, or half-Asian? It seems hard to believe his men would follow him in those times if that were the case, if the likes of the television series Kung Fu and the SW My Name is Shanghai Joe (also featuring Wang in a small role) are any indication. Curiously, there was an earlier SW called Colt in the Hand of the Devil, directed by Sergio Bergonzelli, but apart from having a character with the surname Scott and George Wang being in the cast, Baldanello's film does not appear to be a remake. There are lots of shootings, though not much blood. Piero Piccioni's music is superb. A Colt in the Hand of the Devil may be a fairly standard story lacking in some of the more flamboyant touches SWs were known for, but it's better than the likes of such '70s genre nadirs as God's Gun and Cry Onion any day.
The film can be viewed on Amazon Prime.
Sunday, April 1, 2018
A Colt in the Hand of the Devil (Una colt in mano al diavolo; "Frank G. Carrol" [Rafael Baldanello], 1973)
Labels:
1970s,
George Wang,
Italian,
Movie Review,
Robert Woods,
Spaghetti Western,
William Berger
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