Blood (Andy Milligan, 1973)

Dr. Lawrence Orlofski (Allan Berendt) and his wife Regina (Hope Stansbury), fresh from Budapest, move into a house in 19th century America along with their servants - legless Orlando (Prizzi's Honor's Michael Fischetti), addled Carlotta (Pichulina Hempi), and Carrie (Patti Gaul), who is beginning to experience leg problems similar to those that afflicted Orlando before he lost his own. Regina needs blood to survive, so Lawrence and the servants give her injections of extract from blood-drinking plants they grow. Regina believes her husband and Carrie are having an affair, though Carrie is actually in love with Orlando. Meanwhile, Lawrence discovers his late father's lawyer Carl Root (John Wallowitch) is swindling him out of his inheritance, and tries to get what's rightfully his with the help of Root's pretty secretary Prudence Towers (Pamela Adams), with whom he forms a strong attraction. As it turns out, Lawrence and Regina both have dark secrets, and infamous fathers...

Blood is the fourth Andy Milligan film I've watched, and the second I've reviewed here, and in many ways it's typical Milligan, which is all for the better as far as I'm concerned. Andy's penchant for melodrama is on full display here, with many of the actors chewing the scenery and reading truly overwrought lines. When Lawrence and Regina are in bed, Regina goes from telling her husband she loves him to saying just the opposite when he refuses to make love to her. When she tells him to go to Hell, he replies, "We're already there!" The blood-eating plants are an odd touch, and it's never explained exactly why just injecting the blood itself into Regina's veins wouldn't do the job as well. Carlotta's brother Johnny (David Bevans, whose character is miscredited as "Jimmy") has a very anachronistic haircut. Milligan's house on northern Staten Island, used as the Orlofski house, is too nice to be truly eerie. Eve Crosby turns in a memorable performance as Petra, a strange-looking, thick-accented gypsy woman with a connection to Lawrence's father. John Wallowitch sports bluish hair, probably as the result of a bad dye job. Milligan's affinity for classic literature and film is shown by the revelations about the identities of the Orlofskis' respective fathers, although considering Lawrence's father originally appeared in a film made in 1941 and set in the present day, one has to wonder how he can be dead a few years after 1875. Even so, this is Milligan at his finest, and well worth your time.

The Body Beneath (Andy Milligan, 1970)

A woman in Highgate Cemetery on Hampstead Heath is attacked by three green-skinned women. Soon after, Graham Ford (The Pink Panther's Colin Gordon) is visited by his distant cousin the Rev. Alexander Algernon Ford (Tootsie's Gavin Reed) and his silent wife Alicia (Susan Heard). The two have recently moved to Carfax Abbey near Highgate, and invite Graham and his wife Anna to dinner. The Reverend also tells Graham the Ford family has existed since 98 B.C. Anna (Real Life's Susan Clark), who as it turns out is the woman at the cemetery, comes home. Meanwhile, Susan Ford (Jackie Skarvellis) tells her boyfriend Paul Donati (Richmond Ross) she is pregnant, and the two talk about getting married. Apparently, Susan will also be visiting the Reverend and his wife. Meanwhile (again), Candace Ford (Emma Jones) receives a bouquet of flowers. One of the green-skinned women whispers to her maid. The bouquet has a razor blade in it, on which Candace cuts herself, drawing blood. Susan shows up early at Carfax Abbey, where the Reverend is pleased to learn of her engagement and that Paul is of "strong blood." Susan passes out from drugged sherry, and is later offered food by the hunchbacked servant Spool (Berwick Kaler), whom she tries to convince to help her escape. However, she learns a horrible truth: for centuries, the Fords have been vampires. The family's blood has become diluted in the past hundred years by inbreeding, but Susan's unborn child may be the solution to their problem...

Andy Milligan is a fascinating example of a cult filmmaker. Also a playwright, he did films in both the U.S. and the U.K. Reportedly possessed of a violent temper, Milligan was also openly gay, and died of AIDS in 1990. Of the three films I've seen by Milligan to date, The Body Beneath is by far the most well-made. Milligan's literary inclinations are on full display -- sharp-eared viewers will recognize that Carfax Abbey was Dracula's home in England in Beam Stoker's novel, while the real Highgate Cemetery was the basis for Stoker's fictional Kingstead Cemetery. The performances run the gamut. Gavin Reed is a ham, but not in a bad way. Berwick Kaler makes the viewer feel for what would ordinarily be a stock hunchbacked assistant, sorrowfully recounting how his stepbrother pushed him in front of a moving bus. Shortly before that, we learn he likes pudding, which I'm sure many viewers can identify with. The Fords' vampirism is interesting. The Reverend and Alicia get their blood by transfusion, but the other members of the family seem to go in for the traditional neck-biting. Of course, horror movies about ancient horribly inbred families are nothing new; Jack Hill's Spider Baby is one of the best. The ending is surprisingly arty and well-shot for Milligan, as the Fords, flamboyantly attired, get together for their big conference. The Rev wants to relocate the family to America, home of "pimps, prostitutes, drug dealers, degenerates, the scum of the Earth!" Hey, if the shoe fits...

If you have Amazon Prime, you can check out the film there. And if you're still not decided, check out the trailer!