Wow, has it really been three years since my last post? Anyway, your ole cineaste buddy Sean has decided to revive this blog for the purpose of posting film reviews. Since my tastes run from arthouse cinema to exploitation flix, you should be seeing a wide variety of films covered here. Tonight's film definitely fits into the latter category.
Pete Walker is a director I've heard about for years, but never got around to watching. Most of his output, from the years 1959-1983, consisted of sexploitation and/or horror. You can probably guess from the poster which one this is. Hans Weimer (Australian Tristan Rogers, better known to soap opera fans such as myself for later playing Robert Scorpio on General Hospital, doing a not overly convincing German accent) is a reporter for Der Stein assigned by his boss (and fiancee's father) Herr Schickler to travel to London to do a story about au pairs. Schickler's friends the Grubers ask Hans to also find out about the whereabouts of their daughter Greta (Leena Skoog, who was actually Swedish), a student who went to England to study grass(!!!). Arriving in the U.K., Hans meets Greta's former employer Mrs. Marks, who says she quit after a week. Mrs. Marks tries to hit on him, but he wants none of the "middle-aged English sow." Hans contacts an old girlfriend, Sue, who is now "practically married," (although, as she pointedly tells Hans, "I've never been a very practical person,") to help him. They head to a club where they find Serena and Kirsten, who used to share a flat with Greta, who forced them to give her all their money. When they were attacked by some "sex-crazed hippies" they found Greta in bed with, they threw her out. At Serena's recommendation, Hans goes to a strip club ("They get naked and they move. They don't wear G-strings," hawker Big Danny repeatedly declares outside), where the huge-afroed Cyn (or "the original Cyn," as she calls herself) tells him Greta worked there until a police raid, and that the money man behind the club, gangster Carl Roberts had the hots for her. With the help of Greta's pro footballer boyfriend Roger Maitland (Robin Askwith from the Confessions of a... film series, sporting truly impressive muttonchops), Hans and Sue finally unravel the whole story.
Four Dimensions of Greta was the first British feature film to use 3-D, in the flashbacks filling us in on what Greta's been up to in London. Most of this involves sex or general nudity, although we do see Greta holding a banana up to the camera (nudge nudge wink wink) twice, and Roger brandishing a broken bottle after catching Greta in the act with Roberts. Despite that, the sex scenes aren't all that eye-popping, even though pretty much all the women who doff their knickers are well-endowed, to be sure. The characters are mostly cookie-cutter, and the attempts at humor (such as a slow-motion romantic scene between Hans and Sue that ends in Hans hitting a waiter in the face with a pastry) tend to fall flat. That being said, I always enjoy seeing Swinging London on screen, and I dug the theme song by "Huckleberry Fynn"(!!!) asking if Greta is "angel or devil." There's also a lot of memorable dialogue, much of which is quoted above. In the film's most self-aware moment, Hans declares near the end, "This is starting to become like a bad British sex comedy!" Indeed. But still very much worth a look for fans of the genre.
For those who use Amazon Prime, you can click here to watch it (complete with 3-D, though you'll need to supply your own glasses), but if you're undecided feel free to check out the trailer first. Word of warning though, it is definitely NSFW.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment