A group of female prisoners from Ravensbruck concentration camp, described as "lesbians, communists, [and] pig whores" are transferred to Rosenhausen experimental camp, run by Obersturmbannführer Franz Wieker (Have a Good Funeral, My Friend...Sartana Will Pay's Ivano Staccioli). Helping Wieker are the sadistic Oberleutnant Otto Ohlendorff (Gabriele Carrara), lesbian Chief Kapo Marta (Ria De Simone), gibbering lunatic rapist Kurt (Giovanni Attanasio), and Dr. David Meisel (Nello Riviè). Wieker assigns prisoner Dr. Maria Black (Cannibal Ferox's Lorraine De Selle) to help Meisel, while Marta develops a fixation on another inmate, Cristina (Nightmare City's Sonia Viviani). As things go from bad to worse, Meisel, Maria, and Cristina begin planning
Bruno Mattei has sometimes been described as "the Ed Wood of Italy." He was frequently partnered with Claudio Fragasso, the man who directed Troll 2, one of the most infamous bad movies since Plan 9 from Outer Space. Personally, I quite like Ed Wood. Having seen this and one other Mattei film, Violence in a Women's Prison, I have to say I like his work as well. I'm a comparative novice when it comes to Nazisploitation films - I've seen the legendary Ilsa, She Wolf of the SS, of course - and even moreso when it comes to the Italian examples of the genre. I will be seeking out more, though. Salon Kitty, SS Experiment Camp, Nazi Love Camp 27, and Mattei's own SS Girls are all on my to-watch list. Now, for the record, I am most emphatically not a Nazi sympathizer. I'm of Jewish descent on my father's side, so unsurprisingly I hate the fuckers. But I am also an exploitation cinema aficionado, so I want to have a well-rounded education in many of the most prominent genres. Nazisploitation happens to be one of them.
This is a sleazy film. Make no mistake about that. There are lots of naked women being abused, whether they're whipped, or forced to have sex with frozen pilots to thaw them with their body heats, or having their heads dipped in water, or getting raped by crazy Kurt. Wieker kills prisoners by removing their uteri and transferring them into infertile women in order to propagate the Master Race. The sole male inmates, both homosexuals, are forced to have sex with women, and understandably are somewhat resistant. Mattei's take on the Nazis and their experiment is brutal, though I can't vouch for its historical veracity or lack thereof, and while it never reaches the excesses of Pasolini's Salò, or the 120 Days of Sodom, Women's Camp 119 is pretty graphic. Most of the performances are good, with two being notable standouts. Nello Riviè is excellent as Meisel, the Jewish doctor who despises the horrors he's forced to perpetrate at Rosenhausen. Gabriele Carrara hams it up big time as the laughing, oft-shouting Ohlendorff. According to IMDB, he only did two other films, the aforementioned SS Girls and a "mockmumentary" on bizarre sex practices called Mutant Sexual Behavior. His acting is truly in a class of its own, and makes me wish he had been more prolific. The ever-dependable Alessandro Alessandroni's music is superb.
The ending is pretty depressing, even if good ultimately does triumph over evil. Just before our final scene, we're given text about what Wieker was up to after the camp was put out of operation. Two things about this amused me. First of all, the text lingers on the screen well past the point when most people would have finished reading it. Second, it begins with the words, "Tree months later." Whoopsie! Between this and Violence in a Women's Prison, I can tell Bruno Mattei was a sick puppy, and I am more than interested in further viewing his work. I have several films bookmarked on Amazon Prime, including Women's Prison Massacre, which like Violence is part of the Black Emanuelle series starring Laura Gemser. Hope they're just as off-the-wall entertaining!
Sunday, May 27, 2018
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